Forest patterns – the next collaboration

The next stage of the four-way collaboration sees me adding to Karen Bailey’s book. Karen has chosen the theme of patterns in the forest – this delighted me, as it covers two of the things I like best, patterns and the natural world. The first page is a communal one, and Karen had begun it with a drawing of an unfurling fern frond, so for my contribution I chose something that also has strong, distinct shapes and rich colour, a sprig of gum nuts with leaves.

Karen2web

The next double page spread was Karen’s lichen.

Karen1web

This was followed by my double page spread – I chose an array of fungi for my subject. They were neutral coloured, growing on a dead tree trunk in Kangaroo Island. I decided to depict them in simple graphite, to emphasise the almost abstract shapes, with no distraction of colour. They became reminiscent of coral or clouds – or other objects found in nature.

Karen3web

The final page that I contributed to is the last double page spread. Karen had started it with a fern leaf, so I added a twig adorned with bright red seed pods – these I had found in Central Australia, and they made an exuberant contrast to the muted fungi spread.

Karen4web

The book is 24 cm x 16 cm. I used watercolour pencils, coloured pencils, pen and graphite in my contributions.

Karen_coverweb

This is the closed book. Next week it will be heading to Gale in Oregon, then on to Cathe in Minnesota. To see work from the other three, go to

http://karenbaileystudio.com/2015/03/28/patterns-in-nature-a-new-artistic-collaboration/

http://sticksstonesnpaperstew.com/2015/04/06/water-sketchbook-collaboration/

https://amaryllislog.wordpress.com/2015/04/11/collaboration/

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36 thoughts on “Forest patterns – the next collaboration

  1. It is an absolute delight. You didn’t mention the inside front cover – which appears to be purely watercolour washes. The paper’s watermark can clearly be seen. I think that page by itself is beautiful too. Your responses to one another’s work are sensitive and sublime.

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    1. Thank you Julie – yes, I think the inside cover is just washes, it’s the same as the cover, but Karen added pen drawing to the outside. Part of the challenge is not simply to respond to the theme, but to make my work cohesive with what has gone before, so I’m glad that seems to be happening!

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    2. Julie, I used Dillusion spray dyes on both sides of the cover, which I then covered with matte medium as I realised that the dyes would re-activate with water and did not want them to come off on the drawings. On the outside of the cover I did some little ink patterns of moss and lichen patterns. Karen

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  2. What an excellent collaboration, one that must be fun for all of you.

    Your inclusion of a uncoiling fern frond reminds me of the many I saw in New Zealand this February:

    https://portraitsofwildflowers.wordpress.com/2015/04/08/little-hard-fern-koru/

    If you’re not aware, as I wasn’t till then, let me add that New Zealand has giant ferns the size of trees:

    https://portraitsofwildflowers.wordpress.com/2015/03/14/ferns-as-tall-as-trees/

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  3. Just wonderful Anna, it looks great! I really like how you have added to my drawings and your spread answers the brief and give your delicate twist to the subject. This is such a rewarding and exciting thing to do! I will post mine tomorrow evening. Karen

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    1. Thanks Karen – I am very relieved you like the look of it! I did enjoy doing it, and making the very different choices of treatment. The graphite image doesn’t photograph terribly well, so hopefully it will look richer in real life! I keep tweaking it, but will have to eventually just let go. It will go to Gale tomorrow.

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  4. I like the contrast between the bright first pages and the muted graphite sketch, which not only provides contrast in the book but also reminds me of the bright and dark places in a forest. Looking forward to your next contribution and watching the books develop.

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    1. Oh thank you Anne – that is such a nice thought about the contrast between the bright and dark places. Maybe subconsciously this was something I was looking for, I knew I wanted to work in monotone, so maybe this is why!

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  5. Wow, WOW! This book is amazing! I’m so excited to see how its coming together! I love the harmony between artists and the richness of each image, so incredibly beautiful. It all hangs together so nicely but still their is individuality in the approach. Really stunning!

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  6. Excellent work by you both Anna ! I love the graphite rendering of fungus … some of the shapes reminding me a little of a collection of oyster shells I saw washed up on a Normandy beach last year . How beautifully the mix of drawing materials work together .

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      1. I know! I’m the same, there is something so gentle about graphite, but also dramatic. Its really lovely isn’t it? It can get tricky sometimes knowing when to step away from the paper! Your drawing is fantastic – you can feel the rhythm in the drawing.

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  7. These collaborations are all just amazing, I’ve been catching up reading about them all. I’m so enjoying being able to continue stories and adding to the previous works. I posted off the second book yesterday, so am hoping you’ll receive it shortly. I look forward to the next one! 😀

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