In the Police and Justice Museum in Sydney there is an array of mug shots of criminals from the early part of the 20th century. These faces each tell a story, whether it is of violence, or petty crime or a life lived in poverty and desperation. Each is unique and powerful. I have used some of those faces as a loose reference for these drawings, trying to get a little insight into the characters behind the faces, choosing men in hats as being typical of their era.
The drawings are in graphite on cigarette papers cut in half, so are very small, about 3.5 cm square. The cigarette papers seemed like an appropriate surface, as something that would have been very familiar to these men. It wasn’t easy to work on, very flimsy, so the drawings are a little scratchy. I have kept the glued edge on the left hand side of each drawing, and will probably make use of it when putting them together to make a book or album of some kind, I haven’t quite decided yet what it will look like, but with another miniature exhibition coming up in August I will need to make some decisions fairly quickly. I will do another post when the final is created! Below are the individual drawings.
What an intriguing project! And the drawings are so neat! Each man looks like a different character altogether.
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I was entranced by the photos I saw, the faces really have a lot of character, and they are nothing like modern-day mug shots, much more casual. Thank you for commenting!
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A fascinating project. Somehow the hats make the man; unlike baseball caps of today!. A little book sounds a great idea – look forward to seeing what you decide to do.
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They wear their hats with panache don’t they? I have several ideas on the boil as to how I will make the book, I think I need to make a couple of maquettes!
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Wow, these are amazing. Getting such a response from graphite on a tiny scale – wonderful
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Thanks Rosie – it wasn’t a very nice surface to work on, but interesting texturally!
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Did you use pencil or a graphite stick? It must have been very fine for work that size
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I used a graphite clutch pencil, with a 2mm lead that I can sharpen to a fine point. I find these are the most flexible tools for working in fine detail.
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That’s extremely fine, thanks 🙂
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Rather refined criminals! Looking forward to seeing how you “book” them.
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I have a few ideas to try out, hopefully I can pull it all together!
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As a child I remember my father putting a similar hat on every time he went out. These are lovely, and really capture an era. (K)
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Thank you Kerfe! The men of that era really knew how to wear a hat didn’t they? They way they wore them expressed their character, they add nuances to the way they present themselves.
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It’s true. Nice to see some of the young men these days shedding the baseball caps for more dapper headgear!
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Indeed!
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These are brilliant, and would love the details of your next exhibition. You’re located in Melbourne – yes?
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Thank you! I’m in Sydney, and that is where the exhibition will be – are you in Melbourne? I can email you the invitation anyway, in case you get a chance to see the exhibition. It should be good, very high class work submitted from all around Australia.
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Great series Anna and choice of work surface. I am really taken by this work and look forward to it’s development.
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Thanks Leonie – it was a little tricky to work on, but it seemed so appropriate I thought it was worth giving it a go!
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Cigarette paper, what a perfect surface! I love this project
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I have had some cigarette papers for a while with a view to drawing on them, but when I had the idea for these drawings they seemed the perfect choice to use! Thanks Anne Rose!
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Hats were certainly a prominent part of life in those days. A hat maketh a man. I think of D.H. Lawrence when I look at these guys. Must be a similar era. Also they look a little ghostly – perhaps the fragility of the paper helps this effect – like apparitions which would blow away with the smallest of breezes. They look contemplative don’t they, as if they are wondering about you drawing them. Who’d have thought!?
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They are a little ghostly, can be seen from both sides of the paper and I want to make use of this when I make them into a book. The expressions on the faces was something that drew me to them, some resigned, some defiant, some just lost and sad. A story behind every one.
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Yes, quite so. Isn’t it fascinating – and of course you will never find out the story behind each one – giving the drawings more of a sense of mystery than ever.
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I am almost tempted to give them each a story …
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These look fabulous Anna, I hope everyone realises how difficult it is to draw hats on people. The slightest variation in scale and they either looked like they are perched on the head or drowning the wearer. You have yours looking dapper and cool, getting that right rackish angle. How you do it so small amazes me. Karen
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Thanks Karen! You know, I hadn’t thought about the difficulty of getting the hats right, but I can see exactly what you mean! I think I was drawing them almost as part of the face, rather than as a separate object, so they naturally worked with the faces. I do like doing very small!
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Love this!
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Thanks Elena – last night it won a first prize in miniature 3D and hand-made books, I am very happy today!
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PS I’ve just realised I didn’t do a post on the completed book – I will do one!
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