With a miniature art exhibition coming up, I decided to continue making monotypes, using the same approach I took in making larger works to make some miniatures. Using smaller stencils and a similar colour palette, I made a set of 16 prints, each 7 x 11 cm. Two of them happily stood alone, so I have framed them, and I decided I would like to make a miniature book out of some of the others. As usual, I went through a number of ideas and approaches before I decided on a concertina. I wanted to keep the torn edges of each print, so made a backing from a drypoint print, printed in ochre on brown paper (see below), then folded and glued 8 of the prints down. The imagery suggested to me the views you see in Central Australia – bright blue skies, red dirt and huge monolithic rock formations, so I have called it ‘Mapping the Road from East to West’. Once the book was made, I felt it needed more depth and intensity, so with some trepidation decided to overprint it using the drypoint plate that made the texture on the back. If it hadn’t worked, I would have had to abandon the whole thing, but all was well, and I think it has enhanced the imagery, and the sense of Central Australia.
Once the book was complete I made a tag to contain all the details (the colophon), then had to decide on how it would be held together, whether a box, or a tie of some kind. The final solution was to make a slip cover, open at both ends, like the cover on a box of matches, from two of the remaining prints.
The title of the exhibition is East Meets West in Miniature – this is open to broad interpretation, so I decided to make it where East meets West in Central Australia.