As the weeks go by, the monoprints are taking on a different character, becoming more representational but still have an abstract quality. Most of the forms are stencils, overlaid many times, with each layer responding to the previous one. I enjoy the serendipity and unplanned results, although I do plan the colour combinations with a degree of thoughtfulness.
I don’t clean the plate between layers, so residue from each application of ink remains and informs the following layers. Once I am satisfied that a print is complete sometimes I take a ghost print, which is simply the remnants of ink – some parts will continue to transfer, others will be exhausted. Below is a ghost print that initially was made after I sprayed water on the plate, intending to clean it, then decided to take another print. More layers were then added on top.
The last image shows a set of 6 postcard sized prints which were placed randomly on the plate that produced the top image. Each one is complete in itself, but they also work together as a set.