Now that the pieces for my imaginary orchestra are complete, I have been able to spend time experimenting and exploring in printmaking. In some ways, the imagery is peripheral – I am not looking to make one beautiful plate that stands alone, but create unexpected results from layering and masking, using different colours and methods. The plate used has an image inspired by the workings inside a piano.
Luggage tags are nice small shapes to use as masks to interrupt – or disrupt – the base image. I especially like the patterns made by the tag strings. In the top image the tags simply masked the main image, but small residue marks can be seen as I used the tags on another print and some of that image was offset onto the tags. On the second one, I ran the print through the press with the tags in place, then lifted the tags off, turned them over, moved some around, but replaced them within the tag marks and ran it through the press again to offset the images back into the shapes. It sounds complicated but in fact is very simple!
The bottom photo is of some of the tags, which are now printed on both sides. Even the strings have picked up imagery. These are probably asking to be turned into a 3D object of some kind.
The prints are 27 x 39 cm, printed on Magnani Corona paper and the tags are 5 x 3.5 cm.
Printmaking is an art form that somehow gets inside you – once you start it is hard to leave it behind. I would have described myself simply as a printmaker 20 years ago, but over the years other media became important to me, and printmaking became less of a focus, but was always in the back of my mind. Now it is front of mind, I have an allocated day for it once a week, and of course preparations for that day occupy a lot of the rest of the time. There is so much pleasure in creating prints, that moment of the reveal as paper is peeled back from the plate – did you get what you expected, or something entirely different. The weather affects the print, high humidity makes the ink run more smoothly, and dampens the paper, low humidity makes the ink harder to work. Cold and heat too have sometimes unexpected effects. All this adds to the nature of printmaking, the constant surprises that emerge.
I am not looking for perfect editions, in fact the reverse is what interests me, the moment of serendipity, the reaction of layering another plate over the previous image, how the inks respond to one another. Even results which could be interpreted as a disaster can be turned to advantage. Inspiration comes all the time – an image may be offset back onto the second plate, and a new ghost print can be taken from this. Printing on the back of the paper gives new possibilities and this is what I have been using in then developing three dimensional forms from the prints.
Coming up is a print exhibition with the title of ‘Music Box’, and I will submit some of my 3D works. So far, two are complete, the one shown above, which was inspired by the workings of one of those tiny hand-wound music boxes that play a tinny version of Happy Birthday, and the one below. This one I see as an imaginary musical instrument, perhaps something from a civilisation we know nothing of, so no-one knows how it should be played.
More prints have been made, so the next step is turn transform them into more musical objects.
Both of these are approximately 26 cm wide.